5 tips for good planning during my event

5 tips for good planning during your event

Planning an event sounds simple until you’re standing in the middle of it. The catering runs late. The AV setup takes twice as long as expected. Someone forgot to brief the speaker on timing. Good event planning isn’t about having a perfect script. It’s about knowing where things go wrong, before they do.

These five tips come from what we’ve learned at @droog, running B2B events in a building from 1641 that has hosted everything from theatre performances to panel discussions to private dinners for ten. Design thinking is at the core of everything we do here, and that includes how we think about time, space and flow.


tip 1: start with the flow, not the programme

Most event planners start by filling a schedule. What time does the keynote start? When is lunch? That’s the wrong order.

Start with movement. How do people enter? Where do they go first? What does the transition from one part of the event to the next actually look like, physically? A programme on paper doesn’t tell you that the walk from registration to the main room takes four minutes, or that the corridor bottlenecks when 80 people try to move at once.

At @droog, the grand space on the ground floor connects directly to the garden and the red space. That’s not a coincidence. It means that during a break, people naturally spread out without being directed. Flow is designed into the building. For your event, the same principle applies: design the movement before you design the agenda.

A practical method: walk the entire event yourself before the day. Enter through the front door. Move through every space in the order guests will. Note every moment where people might cluster, get confused, or have to wait. Fix those moments, not with instructions, but with layout.

  • Draw a simple floor map with arrows showing guest movement
  • Mark every transition point (registration to welcome, welcome to session, session to break)
  • Add realistic time buffers to each transition, at least five minutes per move for groups over 30
  • Brief your team on flow, not just on tasks

tip 2: match the space to the purpose, not the headcount

Rode ruimte (The Red Space) met de gordijnen open.

The most common planning mistake isn’t picking a space that’s too small. It’s picking a space that fits the number but not the energy.

A room that seats 80 feels very different with 20 people in it. The red space here is a good example of this: its u-shaped tribune seats up to 80, but when fewer than 20 people are sitting on it, the space reads as empty. That changes the energy of whatever you’re trying to do. For a small group, you’d want the theatre feeling of a full room, which means either filling the seats or choosing a different space entirely.

The principle: a space should feel right for the number of people in it, not just accommodate them. Too large and there’s no tension, no focus. Too small and people get restless. The sweet spot is a room where the capacity feels slightly full, where there’s enough proximity that conversation happens naturally but enough room that people don’t feel crowded.

Questions to ask when matching space to purpose:

  • What energy does this session need? Intimate or expansive?
  • Does the layout encourage the behaviour you want (conversation, focus, participation)?
  • Will the room feel full or empty at your actual guest count?
  • Does the space signal the right thing? A boardroom signals formality, a design space signals open thinking

Different sessions often need different spaces. A morning keynote for 90 people, a breakout for 15, a working lunch for 30: those are three different rooms with three different setups. Events don’t have to live in one space.


tip 3: brief every supplier on the same timeline, with the same document

Miscommunication between suppliers is one of the leading causes of event delays. The caterer thinks setup starts at 13:00. The AV team thought it was 12:00. The venue coordinator has 11:30 in her notes. All three are working from separate conversations, separate emails, and separate assumptions.

One document. Every supplier. Updated in real time.

This doesn’t need to be complex. A shared spreadsheet with columns for time, action, responsible party and status is enough. What matters is that every person working on your event is looking at the same source of truth. When something changes, it changes in one place, and everyone sees it.

At @droog, events sometimes run across multiple rooms: a plenary in the grand space, breakouts in the white space, a private dinner in the library, drinks in the cafe. Each of those spaces has its own setup requirements, its own timing, its own team. A single shared runsheet is the only way to keep that from becoming four separate events happening in parallel without coordination.

What your runsheet should include:

  • Load-in and setup times per supplier, per space
  • Sound check and tech rehearsal slots (never skip these)
  • First guest arrival time, with 15 minutes of buffer before it
  • Session start and end times, with hard stops marked clearly
  • Break durations, catering delivery moments, Q&A slots
  • Load-out and cleanup responsibilities
  • Emergency contacts for every key person

Send this document to every supplier no later than five days before the event. Review it together in a 30-minute call. Then don’t touch it, unless something genuinely changes.


tip 4: protect your transitions

Sessions run long. Lunch takes longer than planned. A speaker has three more minutes of material. These things happen at every event. The question isn’t whether transitions will be disrupted. It’s whether you’ve protected them enough to absorb the disruption.

The answer is usually buffer time. Not five minutes between a 60-minute keynote and a 60-minute workshop. Fifteen. Because the keynote ran eight minutes over, the moderator asked two follow-up questions, and 70 people need to walk from one room to another, find their name on a table, and settle in before the next session can start.

There’s a specific kind of transition that planners consistently underestimate: the technical transition. Switching from one presentation to another, resetting a room layout, connecting a new speaker’s laptop to the AV system. Each of these takes time. At minimum, add ten minutes of technical buffer for every major setup change during your event.

A checklist for protecting transitions:

  • Add 10 to 15 minutes between every major session
  • Assign one person as timekeeper, with authority to interrupt speakers when time is up
  • Pre-load all presentations on one device, not each speaker’s own laptop
  • Test every AV switch during the tech rehearsal, not on the day
  • Have a contingency plan for the session that will definitely run long

Good transitions are invisible. Nobody notices them. Bad transitions are memorable for all the wrong reasons.


tip 5: design the end as carefully as the beginning

Most events are planned from the front. Registration is detailed, the opening is rehearsed, the first hour is tight. Then somewhere around the midpoint, the plan gets vaguer. By the time you reach the closing session, you’re improvising.

The end of your event is what people remember. Not because memory works that way by accident, but because endings carry emotional weight. A strong close, a clear moment of completion, a last impression that lands well: these are what guests take home. A weak ending, an event that just stops rather than concludes, leaves people with a vague sense of incompleteness.

Design the last 30 minutes as carefully as you designed the first 30. This includes:

  • A defined closing moment, not just the last session ending
  • A clear signal that the formal programme is done
  • Something for people to take with them, literally or conceptually
  • A plan for what happens next: drinks, departure, networking
  • A thank you that names the people who made it happen

At @droog, we’ve seen events close with a drink in the garden, a shared meal in the cafe, and a final round of discussion that moved from the grand space to the library as numbers dwindled. None of those were accidents. They were planned.

One more thing: brief your team on the close as specifically as you brief them on the open. Who dims the lights? Who signals catering to start clearing? Who stands at the door to say goodbye? Small details, but they’re the ones guests remember.


Good planning doesn’t mean controlling everything. It means deciding in advance what matters, building structure around it, and leaving room for the things you can’t predict. The rest takes care of itself.

If you’re planning a B2B event and want to talk through the setup, we’re happy to think it through with you.

request quote


frequently asked questions

how far in advance should I start planning my event?

For a B2B event with 50 or more guests, start at least eight to twelve weeks out. That gives you time to confirm the venue, brief suppliers, finalise the programme and still have three weeks of buffer before the day for last-minute changes. Smaller events, 20 people or fewer, can be planned in four to six weeks if the programme is straightforward.

how do I plan an event across multiple rooms?

Start with a single master runsheet that covers all rooms simultaneously. Map out what’s happening in each space at every point during the day. Identify moments where guests move between spaces and assign a coordinator to each transition. Events at @droog often use the grand space, white space, library and cafe in sequence across a single day. The key is one document, not four.

what is the biggest planning mistake event organisers make?

Underestimating transitions. Not the sessions themselves, but the time between them. Technical setup, room changes, guest movement, AV switches: these eat into your programme faster than almost anything else. Build in more buffer than you think you need, then protect it.

how do I choose the right room setup for my event?

Match the layout to the energy you need. Theatre-style for focus and presentation, round-table for discussion and participation, standing for networking and energy. Then check whether your actual guest count fills the room or leaves it feeling empty. A room that seats 80 with 15 people in it has a very different atmosphere than a room built for 20 with 18 people in it.

what should I include in a supplier briefing document?

Setup times, access instructions, technical requirements, the runsheet, contact details for the venue coordinator, and a clear point of contact for the day. Send it at least five days before the event and follow up with a short call. One document, shared with everyone, updated in one place.

can I use multiple spaces at @droog for a single event?

event in de red space met bezoekers

Yes. Events here regularly combine rooms depending on programme needs: plenary sessions in the grand space, breakouts in the white space, a private working lunch in the library, closing drinks in the cafe or garden. We’ll help you think through which combination makes sense for your programme.


Planning well is mostly a matter of asking the right questions early. Flow before programme. Space before capacity. One document before many conversations. A strong close, not just a strong start.

Tell us what you have in mind.

request quote

event venue’s that look good on photo and film

why your event venue needs to look as good as it feels

You planned a great event. The speakers were sharp, the energy was right, and people left with something to think about. But then the photos came back flat. The space looked generic. The video felt forgettable. And suddenly, all that effort becomes much harder to show the world.

This is a problem more event planners are running into. The experience was real, but the content did not do it justice. And in a world where your event lives on long after the last guest walks out, that matters more than ever.

your venue is part of your brand story

Marketing teams know this well. Every piece of content you produce from an event, whether it is a recap video, a LinkedIn post, a behind-the-scenes reel, or a press photo, carries the visual weight of where you held it. A bland conference room signals a bland event. A visually rich space signals intention, creativity, and quality.

This is why choosing the right venue is not just a logistics decision. It is a content decision. The walls, the light, the architecture, the details, all of it ends up in your footage. So it better be worth looking at.

what makes a space truly photogenic

There are a few things that consistently make spaces look great on camera. Natural light is at the top of the list. Large windows that let in soft daylight create a warmth and depth that artificial lighting rarely matches. Colour and texture matter too. Spaces with strong visual identity, whether that is a bold palette, distinctive materials, or a design story, give photographers and filmmakers something to work with. Generic rooms give them nothing.

Character is the other ingredient. Spaces that have been designed with intention rather than convention tend to photograph with a sense of place. You can feel the thinking behind them. That translates directly to the screen.

why @droog was built for this

@droog in Amsterdam was designed around Droog Design principles. Every room in the building is a considered space, not a neutral container. That is exactly what makes it so valuable for event content creation.

Start with the white space on the first floor. The oversized white windows frame the old Amsterdam canal houses outside and let in generous amounts of natural light throughout the day. For product launches, trainings, or workshops, this kind of light does half the work for your photographer before they even pick up the camera. The space feels alive without needing heavy production support.

Then there is the red space. This is one of the most visually striking rooms in Amsterdam. The deep reds, pinks, oranges, and purples create a theatrical warmth that photographs with incredible intensity. The round tribune faces a view of the garden, and the entire room feels designed to be seen. Whether you are shooting a panel discussion, a keynote, or a product film, the red space gives your content a backdrop that is genuinely hard to find anywhere else.

The garden-facing windows throughout the building add another layer. Greenery in the background softens any shot and grounds it in something real and natural. It is a detail that makes a significant difference when you look at the final edit.

request quote

spaces that double as sets

The grand space on the ground floor opens directly onto the garden through a large sliding door. The architecture here is bold and open, with room for up to 160 people standing. For networking events, pop-ups, or brand activations, this space creates a natural flow between indoor and outdoor environments. That kind of dynamic is exactly what makes event footage feel layered and interesting rather than static.

Upstairs, the cafe is perhaps the most talked-about room in the building. The blue butterfly lamp, the curved white tiled bar, the fire place, the tall ceilings, this space has been described as beautiful more times than we can count. It fits up to 180 people standing and 70 seated, which means it works equally well for intimate dinners and large evening receptions. Every corner of this room offers a different shot. It is the kind of space that makes people stop scrolling when they see it in a feed.

And then there is the newly renovated kitchen. This is quickly becoming one of the most requested spots in the building for product photography and video. Clean lines, thoughtful materials, and real design detail make it a natural backdrop for brand content. If you are a food brand, a lifestyle company, or simply looking for a space that communicates quality without saying a word, the kitchen delivers that immediately on camera.

the value of strong event content

Think about what happens after your event closes. Your team edits the footage. You build a recap. You share it internally and externally. You post it. People who were not there get a sense of what it was. And people who were there relive it.

That content is an extension of your event budget. It keeps working for weeks and months after the day itself. But only if it looks good enough to actually share. A visually weak event recap rarely gets amplified. A beautiful one gets sent around, posted, saved, and talked about.

Choosing a space like @droog is not an extravagance. It is an investment in the quality of everything you produce from that day forward. You get the event and the content. The venue earns its place twice.

design thinking meets your event strategy

What sets @droog apart from a standard event venue is the design philosophy behind every room. Nothing here was chosen by default. The flowered wallpaper in the library, based on a painting from the Rijksmuseum, the colourful building facade on the Staalstraat, the inside-out cafe concept, these are design decisions with a story. And stories photograph well.

When your event takes place here, that design thinking becomes part of your narrative. It signals to your audience that you care about the details. That you chose a space with intention. That is a message worth communicating, and a backdrop worth filming in.

If you are planning an event and want the photos and video to actually reflect the quality of your work, the venue you choose is where it starts.

request quote