Set in concrete by FormaFantasma, Andrea Trimarchi & Simone Farresin

Less is more, but not with this pedestal. By putting porcelain and concrete together, each amplifies the qualities of the other. You can’t feel the fineness of porcelain without perceiving the heaviness of concrete. Pick up the cup by lifting the concrete pillar, and turn the concrete blocks to make the decorative plates appear. One thing is connected to the other, like a perpetuated ritual.

300 kg of concrete, 4 plates, porcelain teapot and cups (out of production) Royal Sphinx
pedestal 98 x 78 x 55 cm
teapot 31 x 12,5 x 12,5 cm
teacup 21 x 6 x 6 cm
plate 26 x 26 x 3 cm
tea cup plate 15 x 15 x 3 cm


Creatures by Tobias Rockenfeld
Crystal virus: Massive infection by Pieke Bergmans made in collaboration with master-glass blower Gert Bulle (Royal Leerdam)
This is the air we breathe by Jenny Bergstrom
Till death do us part, concept: Martino d’Esposito (ECAL), table: Franck Bragigand
Drive-in Wardrobe by Gae le Girault (ECAL) & Magnetic curtain by Florian Krautli
Touch wood by Minale Maeda
One day paper waste ELLE glossy edition by Jens Praet
Plaited Fence by Martí­n Ruiz Azúa